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The official mission of Thunderheart Films is to create and distribute films and videos that are designed to foster healing, tolerance and unity and to reduce prejudice and discrimination. That’s a broad mission, we know, and we decided that our first projects would focus on the buffalo living on the Blackfeet Reservation and the people most directly involved with those animals.
Buffalo are a force of nature: they’re a symbol of recovery and resilience, they bring people together, they break down barriers, they help people heal from trauma, and have the capacity to rejuvenate cultures.
We would like to achieve with our films what the buffalo achieve simply by being. They are our teachers and we hope to learn from them, and give back to them, in our film adventures.
For millennia, the Blackfeet’s existence depended almost entirely on the buffalo. The buffalo served as their food, clothing, and lodging, with even the Blackfeet economy dependent on the animal. When the Blackfeet were conquered and nearly wiped out by settlers and the American government, the tribe also lost its connection with the buffalo. As the settlers overturned the Blackfeet and their culture, they simultaneously hunted the very animal that had been the tribe’s lifeblood, slaughtering the buffalo to near-extinction.
One hundred and twenty years later, the Blackfeet and the buffalo are returning from the edge of the abyss. Both clans, human and animal, were the victims of genocide, but ultimately survived and are now in a process of recovery, one that is being embraced beyond the borders of the reservation and one that celebrates and empowers the natural world.
The United States is in the beginnings of a buffalo renaissance. All around the country ranchers are beginning to raise buffalo and there are more than 59 tribes that are returning buffalo to their lands. Buffalo conservation efforts are gaining exponential traction, with the buffalo being named the national mammal of the United States. Despite all of this, there still remains hostility toward and skepticism about the buffalo’s future in the United States.
There are many challenges that buffalo face in our modern landscape. Many cattle ranchers are fearful of the buffalo due to a perceived threat of brucellosis that buffalo can carry and the competition they pose for grazing land. Federal and state governments, established alongside the cattle industry, forbid a free-roaming buffalo, and have imposed dozens of rules and regulations about buffalo transport and sales. The Blackfeet also have challenges with some neighbors who leave fences open, impose large fines on the buffalo whenever they graze on non-tribal lands and create constant headaches for the Buffalo Program workers. These challenges, large and small, are relevant not only for the Blackfeet but for nearly anyone working with buffalo nationwide. Their work revolves around the question: How can we overcome these roadblocks so that we can grow our herd?
Our current projects follow a small band of Blackfeet whose mission is twofold: to return buffalo to Blackfeet land by establishing a thriving buffalo herd on the Reservation, and to release a free roaming herd of buffalo into the Rocky Mountains of Glacier National Park and the Badger-Two Medicine. The film focuses on the lives of the people who work most intimately with the animals, following their journey as they strive to grow their domestic herd and restore a wild, free-roaming buffalo to the Rocky Mountains and the American West.

Director / Producer / Writer
Ivan MacDonald (Blackfeet) is an Emmy winning filmmaker based in Montana. His most recent project Murder in Bighorn premiered at the 2023 Sundance film festival aired nationally on Showtime. It was recently nominated for an independent spirit award. He is an inaugural fellow for the Netflix and Illuminative Producers Fellowship, and is also inaugural recipient of the Hulu and Firelight Kindling Fund.

Director / Writer
Ivy MacDonald (Blackfeet) is a director, producer, screenplay writer and cinematographer based in Montana. She won an Emmy for her producing work on Blackfeet Boxing: Not Invisible for ESPN and her first docuseries Murder in Big Horn, which she produced, premiered at 2023 Sundance Film Festival and broadcast nationally on Showtime. She was a part of the Fourth World Media Fellow for Tracey Rector’s indigenous filmmaker program and is currently a part of the Firelight Media Documentary Lab.

Executive Producer / Writer, Narrator: Bring Them Home
Lily Gladstone (Kainawa, Amskapi Pikuni, Nimi’iipu) is an Academy-award nominated and Golden Globe winning actor who was raised on the Blackfeet Reservation. Her acting film credits include Martin Scorsese’s “Killers of the Flower Moon”, Kelly Reichardt’s “Certain Women” and “First Cow”, Alex and Andrew Smith’s “Winter in the Blood”, Showtime’s “Billions” and HBO’s “Room 104”.

Producer / Writer / Board Member
Sarah Clarke is an award-winning TV and film actress (Bosch, 24, Twilight) whose lifelong passion for wildlife preservation and environmental protection led her to Thunderheart Films. A founding member of the company, Sarah has spent the last year producing and developing three of our projects – Iniskim, Buffalo Resurrection, and an unannounced film.
Throughout her career onscreen she has supported and worked with various environmental agencies including the NRDC, Earthjustice and Arts Earth Partnership and her Thunderheart work has become an extension of that passion.

Director / Writer / Board Member
Daniel Glick has directed and produced a wide range of narrative and documentary shorts, commercials, web series and more. His first feature documentary film, A Place to Stand (2016), the true story of poet Jimmy Santiago Baca, has been called “inspiring” (Booklist), “gutsy” (Library Journal) and “compelling” (Santa Fe New Mexican).
In 2016, he completed Our Last Refuge which tells the story of the Badger-Two Medicine, the sacred homeland of the Blackfeet, and the 35-year struggle to protect it from oil and gas exploration. It was this film that led him to connect with the Blackfeet Buffalo Program.

Executive Producer
Melissa Grumhaus is a philanthropy professional in service of wildlife, people, and nature. After spending more than 20 years at The Nature Conservancy, she now works on Indigenous-led and nature and climate-based projects and organizations, as well as with individuals and family foundations. She is supporting multiple films as a Consulting and Executive Producer. Working with the Blackfeet Community has been a highlight of her career and personal life.
Melissa has served on non-profit boards including Friends School and The Liv Project, a creative collective focused on turning the tide on youth suicide through fearless conversation. She is a graduate of Humanity First, an embodied leadership and mindfulness program.

Director of Photography
Zane Clampett (Yankton Sioux / Ihankton- wan Nation) graduated from Montana State University’s film school in 2015 and has shot dozens of commercials, documentaries, and short films.
He work also includes five of our films set on the Blackfeet Reservation: Bring Them Home / Aiskótáhkapiyaaya, Our Last Refuge, Bring Them Home (the short), Iniskim, and the upcoming Buffalo Spirit.

Board Member
Paulette Fox (Kainai Nation) is one of the protagonists in Thunderheart Films’s feature documentary Bring Them Home / Aiskótáhkapiyaaya and is a member of the Kainai (Blood) Nation – one of four tribes in the Blackfoot Confederacy – in Alberta, Canada. She is a leader in the Iinnii Initiative and an Indigenous Knowledge holder.

Board Member
Helen Augare Carlson Mamiatsikimiiaki-Magpie Woman is an enrolled member of the Ampsakapii Pikanii Blackfeet Tribe. She was born and raised on the Blackfeet Nation in Northern Montana. Helen began her career in STEM education reform as the director of the Rural Systemic Initiative project at Blackfeet Community College in 2000. Helen is currently the Title III Director in the Institutional Development Department at Blackfeet Community College. Together with her husband, Sheldon Carlson, they hold the Ksisktahkii Mopistan Beaver Bundle and the Ponoka Iikokan (Elk Painted Lodge). She is also a student of the Niistipowahsinni language and a devoted advocate of IINNII relatives.

Board Member
Brandon Rosser has a strong production and post production background with over two decades of experience in the American film industry. He has completed hallmark titles (including the Academy Award-winning Sling Blade) while managing film crews and professional staffs.
He is a co-founder of Sixteen19, a a boutique production and post services company specializing in feature film, episodic storytelling and commercials.

Board Member
Duke Elliott is an entrepreneur and experienced home-builder with a passion for small, energy efficient and affordable homes. He has lectured nationally on sustainability and energy efficiency. Duke is responsible for energy and water conservation at Montana State University and is currently building a home made from shipping containers. He serves as the brass tacks financial guide for Thunderheart.